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On The Scene: "Handel: Made In America"

by Stephanie Woods



Thanks to the Betsy and Edward Cohen/Areté Foundation, the Adrienne Arsht Fund for Resilience through Art, Lulu C. and Anthony W. Wang, and many other supporters, the arts are still celebrated and offered as a way of expression at the Metropolitan Museum of Art.


Storytelling and creative artistic expression have a permanent prestigious home at 1000 Fifth Avenue (or Museum Lane) is for those who take artistic pride in the location, which is dedicated to art, philanthropy, fashion, talent, and everything avant-garde.


The MET continues to pride itself on its diversity and inclusiveness, showcasing an extensive library of works featuring all nationalities, religious artifacts, and historical works.


The New York Association of Black Journalists was treated to an evening of culture, Black pride, and heritage as guests, invited to see a performance of Handel: Made in America at the Metropolitan Museum of Art. This production displayed a high-level rendition of classical music. 


The Smithsonian says, "Black voices have always shaped and held a place in the art and music genre." So, it was no surprise that the audience was filled with a wonderful, diverse crowd. The additional delight was witnessing the large attendance of young theatergoers, viewing a Black and Brown cast of opera singers, and experiencing the production led by a young Black concertmaster. Either way, attending such a well-orchestrated performance, co-created by musical genius Terrance McKnight, was a pure delight.


(Photo by Stephanie Woods.)

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